Sound is movement.

Close view of pale, flowing water patterns.
Sound / Resonance / ListeningGirona

AMKRA
Sound practice by Diego Bellorin
Girona

Listening beginsbefore understanding.

AMKRA is Diego Bellorin’s sound practice in Girona. Through acoustic instruments, resonance and subtle electronic sound, he creates spaces for attentive listening, rest and shared presence.

01 / Instruments

Objects forlistening.

Archive of resonant objects

Metal bowls and sound instruments arranged around a stitched geometric cloth.
Sound instruments
A close view of a metal singing bowl among other instruments.
Resonance, close
An overhead arrangement of bowls, tuning forks and resonant objects on woven cloth.
Resonant objects
Diego playing crystal bowls in a stone-walled room.
A session in progress

What remains
after sound?

The practice

I work with metal and crystal singing bowls, Tibetan bowls, tuning forks, bells and other resonant objects. Their vibrations shape each session around the person, the room and the moment.

Each encounter begins with a little time to arrive and settle. Some sessions are entirely acoustic; others include subtle electronic sound or environmental recordings. The instruments, pace and silences respond to the people in the room.

Attention to gesture and the preparation of space are part of the practice. Sound is listened to and felt through proximity, vibration and presence, with room for each person to experience it in their own way.

Diego arranging a metal bowl among instruments before a session.
Preparing the instruments
A flower-of-life cloth arranged with leaves, crystals and white selenite pieces.
A place for listening
A wide arrangement of crystal bowls, metal bowls and chimes during a session.
A field of instruments

Spaces forlistening.

AMKRAis the sound practiceof Diego Bellorin.

Diego Bellorin is a sound practitioner and facilitator based in Girona. His work brings together attentive listening, metal and crystal singing bowls, Tibetan bowls, tuning forks and subtle electronic sound. Informed by meditation and energy work, his sessions attend to the body, the character of each room and the pace of the people gathered there. He creates spaces for quiet, curiosity and presence, with no two encounters quite alike.